Antiquities, Philology, Literary Studies, Art History

This dataset consists of a syntactic and pragmatic analysis of Euripides' Bacchae text, as edited by Giulio Guidorizzi (G. Guidorizzi, "Baccanti. Appendice metrica a cura di Liana Lomiento", Fondazione Lorenzo Valla, Milano, 2020). It isn't a complete analysis of the tragedy: it focuses on the speeches of Pentheus and Dionysus, the main characters, and includes every verse pronounced by them. Readers will find attached more files: the biggest one, "Complete analysis", includes all data and is divided into 5 columns indicating: verses containing the clause, speaking character, clause taken into account, syntactic analysis and pragmatic analysis. The other files, gathered in the folder, display amounts and percentages of occurrences in every section of the tragedy that includes verses pronounced by Pentheus or Dionysus. Further information about method and models used will be attached soon.

The CinEx archive collects information and materials, produces statistical estimates and visualisations aimed at reading the phenomenon of Italian cinema venues in relation to the media system, the territories, the productive fabric, and the social, cultural, and political context in which they are embedded. CinEx promotes an open and in-progress research model, with an expandable data collection system and an archiving logic in dialogue with other datasets. CinEx is organised into sections that reflect the complexity of cinema exhibition. The Venues section collects and presents data on cinemas from a geographical perspective (location of the venue, type of structure), a historical-evolutionary perspective (year of opening and closing; lifespan and transformations), an institutional perspective (character and category of the venue, screening order, type of screenings), and an economic perspective (ticket price, annual admissions and box office revenue, number of employees). The Screens section investigates architectural characteristics (number of seats, presence of a balcony) and technological characteristics (projectors and audio systems). The People and Companies sections host personal and professional data on owners, managers, legal representatives, architects, and builders of venues and the enterprises to which they belong. The Relations section surfaces the network of relationships among the various actors according to a rhizomatic logic. CinEx is designed to make data available according to FAIR principles (Findability, Accessibility, Interoperability, and Reuse). Data are searchable through a system of filters and categories; accessible via a credentialing system; interoperable thanks to unique identifiers and meta-categories that serve as bridges for comparative research; and reusable and expandable in accordance with the logic of a research endeavour always in progress and always open to new uses. CinEx is conceived so as to enter into dialogue with other datasets, including the HoMER network — History of Moviegoing, Exhibition, and Reception — the Archivio Centrale dello Stato, the Romarcord project, and various partners from the Italian film industry.

The FLATIF project, Fashion Languages and Terminologies across Italian and French, studies the terminology of fashion in the period 1880-1980 in French and Italian. This dataset provides a sample of 16 issues of 8 fashion magazines (in .pdf format) published between 1901 and 1945 in France. The files were obtained from the Gallica website of the BnF – Bibliothèque nationale de France (https://gallica.bnf.fr/accueil/fr/html/accueil-fr) and some have been reworked.

The FLATIF project, Fashion Languages and Terminologies across Italian and French, studies the terminology of fashion in the period 1880-1980 in French and Italian. This dataset provides a sample of 16 issues of 8 fashion magazines (in .txt format) published between 1901 and 1945 in France. The files were obtained from the Gallica website of the BnF – Bibliothèque nationale de France (https://gallica.bnf.fr/accueil/fr/html/accueil-fr) and they have been reworked for corpus analysis.

De Trinitate is a prose work in 15 books by Augustine of Hippo written in the 4th century AD. The book discusses the Trinity in context of the Logos. The source of the Latin text is The Latin Library (http://www.thelatinlibrary.com/august.html).

RDF version (with linking to the LiLa Knowledge Base) of The Lexicala Latin-French Dictionary (Lexicala by K DICTIONARIES: https://lexicala.com), a bilingual dictionary aimed at French-speaking readers learning Latin at a beginner or intermediate level. The dictionary contains 14,000 entries, 21,000 examples, and 38,000 translations. The words selected are those that form the basis of the Latin language for the period from the 1st century BC to the 1st century AD. The dictionary covers the fundamental lexicon of the works most frequently proposed in Latin classes, favoring authors from the end of the Republic and the 1st century of the Empire (Cicero, Caesar, Sallust, Livius, Seneca for prose writers; Virgil, Horace, Ovid for poets). Likewise, the proper names included in the dictionary have been selected because of their importance in Roman history or Greco-Latin civilization.

De Ciuitate Dei is a prose work in 22 books, preceded by a short letter, by Augustine of Hippo. It was written in the 5th century AD. The work describes two societies: one consists of the elect, that is the city of God, whereas the other consists of the damned, that is the city of man. Books 1-10 detail how pagan communities conceived divine powers. Books 11-22 provide a theological interpretation of the history of humankind. The source of the Latin text is The Latin Library (http://www.thelatinlibrary.com/august.html)

The Neolatin Wordlist (Neulateinische Wortliste; NLW) is a lexical resource that collects entries from Latin texts written in Europe between 1300 and 1600. The wordlist consists of circa 22000 lemmas. The data originally provided by the author Johann Ramminger have been modelled as Linked Open Data and are now published in LiLa.

This dataset accompanies and expands upon the article "The Rise of Computational Images: The Role of Star-Targeting Photospectroscopy", offering a systematic reorganization of the key concepts, sources, and research questions emerging from a historical-epistemological investigation of nineteenth-century spectroscopy, interpreted through the lens of computational imaging and media archaeology. From a media-archaeological perspective, the dataset reconstructs the complex interplay of visual practices and technical-scientific apparatuses that, throughout the nineteenth century, contributed to the emergence of a regime of visibility grounded in automatic registration, the minimization of subjective interpretation, and the rise of "operative invisuality". Particular focus is placed on spectral maps and optical instruments as tools of standardization, codification, and pattern recognition, thus highlighting the transition from visual observation to diagrammatic computation. The dataset includes: - Diagram_ (.jpg): A visual rendering of the core conceptual relations articulated in the paper, useful to trace continuities, discontinuities, and critical transitions from spectroscopic images to algorithmic vision. - Nodes_ (.pdf): A structured vocabulary of epistemic concepts drawn from the article, each accompanied by a short definition. This conceptual mapping outlines the visual and technical genealogy of spectroscopy as a precursor to computational imaging. - QA_ (.pdf): A document collecting theoretical annotations, open questions, and epistemological reflections on image standards, algorithmic visibility, and computational mediation, within a broader historical framework. - Quotations Tags_ (.pdf): A curated selection of excerpts from primary and secondary sources used in the article, annotated and tagged according to visual-semiotic and media categories (e.g., representation, instrumentation, printing techniques, standardization, visibility), in line with a media-archaeological methodology. This dataset is intended for scholars and researchers in the fields of scientific visualization, history of optics and spectroscopy, computational imaging, and visual epistemology. It provides a conceptual and archival foundation for further studies on the operational logics, representational infrastructures, and epistemic functions of scientific images across the nineteenth and twenty-first centuries.